Fintan O'Toole - Ireland's parallel monarchy

Fintan O’Toole wrote in ‘Enough is Enough: How to Build A New Republic’ (page 28) about Ireland's 'parallel monarchy’ of the Church:

"Having shrugged off one culture of deference to titled nobles, the new state embraced another. The elected representatives of the people always kneeled before a bishop and kissed his ring. The fact that the bishop was addressed as ‘My Lord’ and lived in a house that was always called a ‘palace’ did not seem to cause any great discomfort to Irish people who would have been enraged by any sugges- tion that Ireland should honour an aristocracy. Indeed, Mary Kenny has argued persuasively that the Church occupied the place where the monarchy had been: ‘even the ardent Republicans would find a vehicle for the pomp and ceremony that every society either derives from tradition or reinvents – the Holy Roman Catholic Church would soon fill the vacuum left by the departed pageantry of His Majesty.’7 She points out that the Eucharistic Congress of 1932, which was the Irish state’s first great public ceremonial, ‘followed in almost every detail the format used for royal visits and royal events in Ireland… Not coincidentally, words and phrases previously applied to the monarchy were at- tached to the papacy: “allegiance”, “loyalty”, and “kingship” (of Christ).’ The ‘parallel monarchy’ of the Church preserved all the habits of awe, obedience and humility that might have been thrown off in a genuinely democratic revolution."

In an article in the Irish Times, 'Why do we allow a foreign state to appoint the patrons of our primary schools?' Fintan O’Toole wrote:

"Why do we allow a foreign state to appoint the patrons of our primary schools? If some weird vestige of colonial times decreed that the British monarch would appoint the ultimate legal controllers of almost 3,200 primary schools in our so-called republic, we would be literally up in arms. Why should we tolerate the weird vestige of an equally colonial mentality that allows a monarch in Rome to do just that?"

The "Troubles" is a term for the conflict that began in 1916, ended with an ambiguous armistice in 1998 and rumbles on to this day

Cartoon of David Trimble and Gerry Adams by Steve Bell

[UPDATE - "Unfortunately, the "terrible beauty" they [Pearse and Connolly] spawned is even now to be seen in action in the blazing streets of Belfast" wrote John Banville]

Philip Bobbitt said that "Long War" is a term for the conflict that began in 1914 and concluded in 1990. Christopher Hitchens said the identical, that the global conflict that began in August 1914 did not conclusively end until the fall of the Berlin Wall and the Soviet Union.

My argument is that the Troubles should be a term for the conflict that began in 1916 and quasi-concluded in 1998 with an ambiguous armistice, embedded a little further in 2005 but continues to this day with an uneasy truce.

He's a quick overview of history.

Live Drawing at @MurphysButchers on @theLisburnRoad

Following a wonderfully enjoyable day of Live Drawing at Arcadia Deli on the last Saturday of August 2014, I did a day of Drawing at Murphy's Butchers on the Lisburn Road on Saturday October 4.

Murphy's was another very enjoyable day, drawing people of all ages and backgrounds. From drawing a little boy who had just finished a morning of mini-rugby at Belfast Harlequins, to drawing Ulster Rugby players Stephen Ferris and Robbie Diack. Please have a look and explore all the drawings and videos from the day.

See the pictures below to see all my work from the day of drawing in Murphy's Butchers. See all my Vine freeze-frame videos here. Also be sure to look and read about my Conference and Seminar Drawing here.

Colin Bateman (@ColinBateman) - The Two Williams, King Billy and a "washed-up drunk"

My cartoon scribble of Colin Bateman

Colin Bateman wrote in 2006:

"I’ve come up with a story called The Two Williams, which features King Billy (that’s King William to you) on the eve of the Battle of the Boyne in 1690 accidentally changing places with his modern equivalent — a washed-up drunk whose only job in life is to lead the Orange parade every 12th of July."

Michael Bloomberg (@mikebloomberg) - Don't Major in Intolerance

Following the Brandeis University-Ayaan Hirsi Ali controversy of 2014, when Brandeis revoked an invitation it had offered to Ayaan Hirsi Ali to speak and receive an honorary degree at the university's commencement ceremonies. In response to this action aagainst the Somali-born feminist and political essayist and others, Michael Bloomberg spoke out against this trend of liberal intolerance. Michael Bloomberg said in his Harvard Commencement speech 2014 entitled, 'Don't Major in Intolerance':

America's perception management of Europe

Cartoon of Barack Obama by Morten Morland

Glenn Greenwald wrote in October 2012:

"It is almost certainly the case that an Obama-led attack on Iran would generate far more public support than a Romney-led attack, because most Democrats will almost certainly cheer for the former while pretending to be horrified by the latter, will while Republicans would support both (that's the dynamic that made the very same "counter-terrorism" policies that were so divisive in the Bush years become wildly popular once Obama embraced them)."

My work with Michael Deane

The Daily Draw: featuring @MichaelDeane61 as promised. pic.twitter.com/MQ6EVIgTtF
— Brian John Spencer (@brianjohnspencr) March 2, 2013

[UPDATE - also read this post here]

It all began with a chance tweet and a simple cartoon as explained here in my 'The Artist's Journey' series, and in even more detail my journey is described here. That original cartoon, created on a wet March Saturday afternoon after rugby coaching and before going into town to sit in Waterstones all day, was then used in the Michael Deane signature wine, 'Chez Deano', which you can see below.

Vivisected Northern Ireland - Hugh Muir, be Intolerant of intolerance

I've written before about the vanity of small differences and the vivisection of Northern Ireland and the baleful effects of these egregious habits. In the face of such deleterious habits, I have called upon the need for civil intolerance. We can also learn from a parralel experience. In response to the flying of a jihadist-style flag in a London housing estate Hugh Muir wrote in the Guardian that we must resist those who would Balkanise public space. He wrote:

Colm Tóibín on his daily routine and the cult of Law School

Colm Tóibín's explained his daily routine to the Irish Times: 


"Breakfast? No! None of that eating rubbish. You get down with an empty stomach. So you create this system of rewards – if you do this, you can have that. Otherwise you’d never get any work done… I take an hour off and work for an hour. And I work until late, six days a week. The other general rule is, no lunch with anybody. That’s an awful waste of time. And I would never drink in the day. Ever."

Shane Smith - The media and establishment is inherently conservative

In 1993 Christopher Hitchens said, "there is one party - that is a beltway party, a Washington party, a permanent party, the party of those in power and most of those in the leadership of the Washington equipe of which the press are members of it and proud of it and lucky and afraid of the possibility of falling out of favour." Shane Smith also speaks critically of the US politico-media establishment. He said:

Deanes Meatlocker Malbec wine label

It all began with a simple Matisse-inspired cartoon and a chance tweet. The cartoon then led to the Michael Deane 'Horsemeat' collection and the first wine label. You can read all about the creative process and working relationship here. 

Comparison and self-doubt are the thief of creativity

Eleanor Roosevelt wrote that "comparison is the thief of joy." Comparison is also the thief of production and creativity. It is deadly and antithetical to the artist, the creator and the creative process. Philip Larkin said to the Paris Review:

"Everyone envies everyone else."

He also wrote a poem, 'On Being Twenty-Six':

"I feared these present years, 
The middle twenties, 
When deftness disappears, 
And each event is 
Freighted with a source-encrusting doubt, 
And turned to drought."

Quentin Blake said: "As soon as I knew something was intended for print, I tightened up."

Hitchens wrote, embrace the doubt and comparison:

"The main thing as I keep saying, I never tire of saying is, to keep testing yourself against other writers who are better than you. That’s what qualifies one as a writer I think, permanently running the risk of having to say I don’t know why I bother."

He elaborated on this:

"[With George Orwell] you don’t get the sense for example when you’re reading Proust or Nebokhov or George Eliot that you shouldn’t be in the writing business."

George Orwell - Writing is hard, Ctd

George Orwell's1984 is the classic of classics. One of the most celebrated book in the English canon that speaks and sells powerfully to this day. Yes 1984 is a classic. Yet for Orwell, the writing of it was most testing. Early drafts were seen by Orwell as "ghastly" and "dreadful" messes. While writing 1984 in May 1947, Orwell wrote to his publisher Fred Warburg: 

"Of course the rough draft is always a ghastly mess bearing little relation to the finished result, but all the same it is the main part of the job."

Will Self - Art is theft, Ctd

Kingsley Amis by Anglo-Polish impressionist painter Feliks Topolski

Will Self (@wself) said during a panel conversation on Dubliners by James Joyce:

"Being pray to the anxiety of influence - and if any writer tells you that she or he doesn’t suffer from the anxiety of influence then they’re a stone-cold liar."

He explained how W.H. Auden notoriously used to write "GETS" in the margins of books for "Good Enough To Steal":

"W.H. Auden notoriously used to write in the marginalia "GETS", in the margins of books for "Good Enough To Steal". So I most re-read James Joyce’s Dubliners to steal stuff."

Will Self also explained that he likes to think he's a good enough writer to thieve. He said in the Guardian:

Conference Drawing

My Conference Notes Cartoon of Josh Richards (@Mighty_Ginge) at @Create2014Co, more here.

I do Live Drawing. I also do Conference Drawing. This is where I go to conferences, seminars and talks and document what is said through words and coloured drawings. Think mind maps. Think story boards. A wonderful way to remember the special event and the special ideas and contacts made. Below are 12 images from the 12 conferences and events that I've done Conference Drawing at over the last year. Click the links below to see a full selection of images from each of the 12 events. 

Read more about Live Drawing here. See a full chronology of all the Live Drawing cartoons I've ever drawn on my Flickr page here. See how I work and think and process ideas on my Live Drawing Tumblr portfolio here.

Ireland - A cynical tax haven?

Fintan O'Toole by Jon Berkeley

Fintan O'Toole wrote in May 2013, Ireland needs a better economic strategy than ‘come here to avoid tax'. He said: "An official White House report categorised Ireland as a tax haven in 2009 and last week’s Senate hearings on Apple’s creative accounting embedded the phrase in public discourse. If it takes permanent hold, the consequences could be enormous." He then said:

"I was browsing Forbes, the magazine for billionaires, online about a year ago. There was a piece about Ireland’s status as a tax haven. Apparently through some technological glitch, you could see that two phrases had been edited out and replaced with euphemisms. Thus “Ireland’s tax favoured status” was struck out and replaced with “Ireland’s hospitality”.

And the statement that “US companies can pretend to be headquartered in Ireland in order to avoid US tax” was doctored to say that US companies can “set up shop in Ireland”. This kind of thing is amusing, but it’s also deadly serious."

Fintan O'Toole explained how critical language is to international community's perception of Ireland:

"The Forbes piece is a perfect illustration of how vulnerable the perception of Ireland is to changes of language. Ireland is either a hospitable place where you can set up shop like a friendly village grocer or a cynical tax haven, and increasingly, in the US, it is routinely referred to as the latter.

Live Drawing at Arcadia Deli (@ArcadiaDeli), Belfast

Drawing Irish writer and thinker Colm Dore (@ColmDore) at Arcadia Deli

I spent the last Saturday of August 2014 drawing at Arcadia Delicatessan on the Lisburn Road, Belfast. With me being a regular this was a great way to interact with the staff and also meet some of the other customers, and of course draw them. I was operating on a donation system and started quickly. It was the usual Saturday bounce with young children smelling of grass and running about in their freshly used rugby and football kits; mums and dads doing their meat shopping and selecting a choice wine for the weekend dinner party.

 

It was great to see Irish poet Michael Longley come shuffling into the shop and accept my offer for a sitting. He was a joy to draw and speak with and you can see a Vine video of the drawing and a good selection of photos below. You can also see a full range of my cartoons of the staff and customers if you click to see more below.

 

This was a great way to lift things for the shop, the customers and the artist, all coming together in a cherry triangle of high spirits. Art, business and shopping - an intoxicating mix!

 

See my Live Drawing blog here, with a post on drawing Michael Longley here and drawing at Arcadia Deli here. Read about how I do Live Drawing from my website here. See a full chronology on all the Live cartoons I've ever drawn on my Flickr page here, and see how I work and think and process ideas on my Live Drawing Tumblr portfolio here.
 

     

The vivisected Northern Ireland

Cartoon if Isaiah Berlin

For the committed anti-sectarian and anti-tribalist in Northern Ireland, I give you Isaiah Berlin and his explanation on monism and why the belief in one unalloyed, fixed, unchangeable doctrine leads, inevitability, to the vivisection of society:

"There is little need to stress the fact that monism, and faith in a single criterion, has always proved a source of deep satisfaction both to the intellect and to the emotions… [However] it is bound, provided it is inflexible enough, to encounter some unforeseen and unforeseeable human development, which it will not fit; and will then be used to justify the a priori barbarities of Procrustes - the vivisection of actual human societies into some fixed pattern dictated by our fallible understanding of a largely imaginary past or a wholly imaginary future."

Also read Kenan Malik on multiculturalism here. Newton Emerson on a vivisected Northern Ireland, he said:

"Census figures for the Upper Ormeau Road… is 57% Catholic and 27% Protestant, yet just 36% describe themselves as "Irish", with the remainder evenly split between British and Northern Irish. So what can explain the DUP’s betrayal of an area that epitomises Peter Robinson’s stated vision of a Northern Ireland "at peace with itself" and "for all of us, not them and us".

 

Cowardice in the face of loyalism must be a partial explanation, and it is quite some cowardice, as the upper Ormeau Road are believed to barely number into double figures. Electoral calculations in Belfast and more widely against the TUV will also be a factor. However, this retreat from its own policy and constitutional objective implies so much short-sightedness, spinelessness and stupidity that there has to be a deeper explanation.

 

Is the DUP really envisaging a Northern Ireland that depends on Catholic support which would in turn depend on tolerance, neutrality and equality? The fact that the party sees no value whatsoever in protecting places like the upper Ormeau Road suggests its true vision is a retreat into a patchwork of ethnic laagers, with Northern Ireland becoming a Catholic Bosnia overlaid with a Protestant Republika Srpska. What other explanation can there be when ten loyalists with a ladder outweigh the 40% of Catholics in upper Ormeau who, even now, have made their peace with partition. 

What the DUP wants or fears is not necessarily what will come to pass. Council reorganisation still points more to a “Belgium on the Bann” scenario, with an Irish west, a British east and an uneasily shared capital. But that less-than-ideal future is the best we can hope for and every step the DUP takes to the right brings the Balkans closer into view."

Read more about the divided Bosnian city of Sarajevo here:

"Nineteen years after the war ended, Bosnia operates as two "entities", the predominantly Muslim and Croat Federation, and the overwhelmingly Serb-dominated Serb Republic (RS). The highly autonomous RS was recognised by the peace settlement. Many Muslims regard it as the product of ethnic cleansing, while for Serbs its existence is a guarantor of peace."

How Matisse inspired Miffy

The creator of Miffy the Rabbit explained here (45m25) how Matisse inspired him. In an article in the Telegraph, 'I saw Matisse - and came up with Miffy', Dick Bruna said:

"[In Paris] I saw Picasso for the first time and Léger and all those big painters. When I saw Matisse's work – especially his late collages – he became the most important man in my life."

Also here and here. Below is how Matisse inspired other modern graphic designers.

Christopher Hitchens - We are in need of a renewed Enlightenment

Benjamin Frankling, a pillar of the American Englightenment, by Gerald Scarfe, here

Christopher Hitchens said:

"Above all, we are in need of a renewed Enlightenment, which will base itself on the proposition that the proper study of mankind is man and woman. This Enlightenment will not need to depend, like its predecessors, on the heroic breakthroughs of a few gifted and exceptionally courageous people. It is within the compass of the average person. The study of literature and poetry, both for its own sake and for the eternal ethical questions with which it deals, can now easily depose the scrutiny of sacred texts that have been found to be corrupt and confected. The pursuit of unfettered scientific inquiry, and the availability of new findings to masses of people by electronic means, will revolutionize our concepts of research and development. Very importantly, the divorce between the sexual life and fear, and the sexual life and disease, and the sexual life and tyranny, can now at last be attempted, on the sole condition that we banish all religions from the discourse. And all this and more is, for the first time in our history, within the reach if not the grasp of everyone."

Jenni Russell (@jennirsl) wrote that there's nothing inevitable about the victory of enlightenment values. In an earlier post I wrote that Christopher Hitchens said that enlightenment principles need to be fought for and defended by every generation. Scottish historian Niall Ferguson (@nfergus) noted that "the greatest thinkers of the Scottish Enlightenment were not nationalists but cosmopolitans".

In Northern Ireland, where tribal acrimony and antipathy govern all levels of public discourse these principles are exceptionally necessary. We need to move away from what David Hume called "the vulgar motive of national antipathy."

In a Letter to Lafayette Monticello in May 1817, Thomas Jefferson said:

"Ignorance and bigotry, like other insanities, are incapable of self-government."

I earlier wrote that we could say that sectarians are mentally and morally unwell. And so as Christopher Hitchens said, "condemnation of bigotry and superstition is not just a moral question but a matter of survival."