Artists are labourers to their unconscious



Scottish artist John Byrne with a self-portrait. More John Byrne self-portraits here.

[UPDATE - Zadie Smith said: "[My] writing was an explosion of 18 years worth of reading all the time."
Graham Linehan talked about "practical procrastination" and said: "Your subconscious is this huge glacial thing under water that’s just doing a lot of work when you don’t realise it."]

Agnes B said on Radio 4:

"When you are designer you are like a sponge you don’t know where ideas come from."

John Byrne said:

"I am the labourer to my unconscious."

Michael Longley said:

"The raw material of experience… needs to settle to an imaginative depth where it can be transformed and emerge as art."

Francis bacon said:

"There’s this deep sea which we call the unconscious which we know nothing about. I always hope the most wonderful images will emerge from it."

"Brutal, bilious" cartooning

Cartoon by HM Bateman

In his canonical article, 'The Kentucky Derby is Decadent and Depraved', Hunter S. Thompson wrote about Ralph Steadman and his drawing habit. A habit whose product was "brutal" and "bilious" cartoons. Thompson explained:

"[A problem with Ralph Steadman] was his habit of sketching people he met in the various social situations I dragged him into—then giving them the sketches. The results were always unfortunate. I warned him several times about letting the subjects see his foul renderings, but for some perverse reason he kept doing it. Consequently, he was regarded with fear and loathing by nearly everyone who’d seen or even heard about his work. He couldn’t understand it. "It’s sort of a joke," he kept saying. "Why, in England it’s quite normal. People don’t take offense. They understand that I’m just putting them on a bit." "Fuck England," I said. "This is Middle America. These people regard
what you’re doing to them as a brutal, bilious insult. Look what
 happened last night. I thought my brother was going to tear your head
off.” Steadman shook his head sadly. “But I liked him. He struck me as a very decent, straightforward sort.” “Look, Ralph,” I said. “Let’s not kid ourselves. That was a very
 horrible drawing you gave him. It was the face of a monster. It got on
his nerves very badly.” I shrugged. “Why in hell do you think we left
the restaurant so fast?"

Thompson said the "the people there thought that an ugly drawing of somebody is an insult." Ralph Steadman said that "Hunter S. Thompson always used to call my work ‘filthy scribblings’!" Steadman also said: 

"Hunter S. Thompson… took me [to the Pendennis Club in Kentucky] and I started drawing the people there. It’s a funny thing, but the people there thought that an ugly drawing of somebody is an insult, like tantamount to smacking someone in the face."

Comparison and self-doubt are the thief of creativity

Eleanor Roosevelt wrote that "comparison is the thief of joy." Comparison is also the thief of production and creativity. It is deadly and antithetical to the artist, the creator and the creative process. Philip Larkin said to the Paris Review:

"Everyone envies everyone else."

He also wrote a poem, 'On Being Twenty-Six':

"I feared these present years, 
The middle twenties, 
When deftness disappears, 
And each event is 
Freighted with a source-encrusting doubt, 
And turned to drought."

Quentin Blake said: "As soon as I knew something was intended for print, I tightened up."

Hitchens wrote, embrace the doubt and comparison:

"The main thing as I keep saying, I never tire of saying is, to keep testing yourself against other writers who are better than you. That’s what qualifies one as a writer I think, permanently running the risk of having to say I don’t know why I bother."

He elaborated on this:

"[With George Orwell] you don’t get the sense for example when you’re reading Proust or Nebokhov or George Eliot that you shouldn’t be in the writing business."