Martin McGuinness - From unbending hardliner, to the humanised andacceptable face of republicanism

Northern Ireland politicians from the early 1990s, by Gerald Scarfe for the New Yorker

In present Northern Ireland, Martin McGuinness is viewed as the more moderate and conciliatory politician compared with the Sinn Fein president Gerry Adams. Yet a quick down historical accounts and observations show that the reality is the inverse. As is often the case in Northern Ireland, perception is incongruent to fact. Northern Ireland poet Nick Laird wrote:

"Growing up in Cookstown in County Tyrone, I would occasionally wonder what it would be like to be Martin McGuinness’s son. He was infamous for being Sinn Féin’s number two, and for being the officer commanding of the Derry brigade of the IRA, a position he assumed, as he recently admitted, in February 1972."

Northern Ireland's disproportionate contribution to the world

In the realm of literature, sport, science, academia, governance and the military, Northern Ireland's contribution to the world has been immense. For a population of 1.8 million it's achievements have been remarkably disproportionate.

American David Remnick recognised this, especially in the field of poetry. The editor of the New Yorker wrote in 1994:

Nick Laird on the Protestant-Irish identity

Nick Laird, poet from Northern Ireland, said:

"The complexities of being a Protestant, in that you’re Irish when you’re in Britain, but you’re not Irish when you’re in Ireland. You’re a bad fit everywhere."

Nick Laird - "All writing is political"

Sketch of George Orwell by Ralph Steadman

George Orwell said:

"The opinion that art should have nothing to do with politics is itself a political attitude."

He also said:

"In our age there is no such thing as 'keeping out of politics.' All issues are political issues, and politics itself is a mass of lies, evasions, folly, hatred and schizophrenia."

Northern Irish writer Nick Laird said:

"I think all writing is political. All writing shows a preoccupation with something, whatever that thing might be, and by putting pen to paper you are establishing a hierarchy of some sort—this emotion over that emotion, this memory over that memory, this thought over another. And isn’t that process of establishing a hierarchy on the page a kind of political act?"

The writer can never really stop, Ctd

Edna O'Brien said:

"I think that all writers are like that – your mind is always galloping, trying to write the thing you cannot write. That is one of the characteristics, one of the norms of writing."

Northern Irish poet and writer Nick Laird said in 2005:

"When I was a lawyer… I never stopped writing reviews and poems and articles. I’d do it in my lunch hour or after work. It didn’t matter how tired I was.

In January 2014 Nick said:

"I’m working on poems all the time. I was writing a poem this afternoon, before I came here. I’ve got other work—teaching at Princeton, writing articles and so on—but I’m pretty much always working on a poem." 

Precious post with Christopher Hitchens here.

Unhappy when working. Unhappy when workless, Ctd

I often feel guilt for my bohemia. Guilty that I can sit in a coffee shop and read and practice my art while others have to slave around. Guilty that I can go to a Live Drawing event for a few hours and get paid what those coffee shop works get paid in a few days. Northern Irish poet Nick Laird said:

"I still feel a deep sense of guilt about writing. At least when I was a lawyer I felt useful, now I can waste whole days not doing much at all."

He also said:

"The writing life can be difficult. Time just dissolves away to nothing some days, and it is sometimes hard to believe in the validity of the enterprise."

Oscar Wilde wrote about the contrast between the bohemian and the lower echelons that make their bohemia possible. In The Soul of Man Under Socialism, he wrote:

"The fact is, that civilisation requires slaves. The Greeks were quite right there. Unless there are slaves to do the ugly, horrible, uninteresting work, culture and contemplation become almost impossible. Human slavery is wrong, insecure, and demoralizing. On mechanical slavery, on the slavery of the machine, the future of the world depends." 

Kevin Drum wrote an article in Mother Jones, 'We Shouldn't Denigrate the Diginity of Work, Even Accidentally'. In it he said:

"Even people who hate their jobs take satisfaction in the knowledge that they’re paying their way and providing for their families. People who lose their jobs usually report intense stress and feelings of inadequacy even if money per se isn’t an imminent problem (perhaps because a spouse works, perhaps because they’re drawing an unemployment check). Most people want to work, and most people also want to believe that their fellow citizens are working. It’s part of the social contract. As corrosive as inequality can be, a sense of other people living off the dole can be equally corrosive."

Eric Stough, producer and animation director for ‘South Park, said:

"The key to a great life isn’t just happiness. It would be a boring life if it were."

Previous post in the series here.