"Education: Of course it’s harder for graduates to find jobs — but that’s partly because there are so many more graduates. In the 1960s just one in 20 people went to university; now around half of all young people get to know the joys of freshers’ week, essay crises, late-night kebabs on vomit-spattered pavements and other formative further education experiences."Jenni Russell backed up the figures and shared some commentary in my post here.
Showing posts with label James Delingpole. Show all posts
Showing posts with label James Delingpole. Show all posts
May 23, 2014
The cult of university, Ctd
James Delingpole reminds us of the growth of university. A growth that I might add, needs corrected. He said in an article in the Spectator, 'The gilded generation - Why the young have never had it so good':
January 07, 2014
Twitter - A perpetually gaping maw of a gigantic elephant trap
James Delingpole (@JamesDelingpole) wrote an article in The Spectator magazine by the title, 'How Twitter almost destroyed me.' He said of Twitter, (what he called "the perpetually gaping maw of the gigantic elephant trap that is Twitter), here:
"Twitter is a publishing medium more dangerous than any that has ever before existed. The problem is that it is once trivially ephemeral and hideously permanent. Whatever your state of mind, whether you’re drunk or sober, depressed or euphoric, it’s there waiting to capture your every thought from the moment you wake up to the moment you check your Twitter feed one last time before you go to sleep."He continued:
"You might be a journalist, like me, who writes hundreds of thousands of words’ worth of considered, well-wrought, nuanced articles expressing precisely who you are and where you’re coming from. But as far as the mob is concerned, that makes not the blindest bit of difference. It’s on those 140 characters you’re being tried and condemned. You’re hateful. You’re a misogynist. You’re anti-disabled. You’re a racist. You’re a rapist. Or whatever. And there’s no room for wriggling, you said it, after all. It’s there: in black and white — and ‘favourited’ by various ill-wishers, just in case you try to erase it."
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